Binary // Binario
January 8 - 22
The Work of Ernesto Garcia Sanchez and Jose Manuel Mesias is a special exhibition curated by Rafael Domenech. An opening reception with the artists will take place Thursday, January 8th, from 6 – 9 pm. The narratives presented by Mesias and Sanchez offer a dichotomous perspective on the medium of painting and how it plays into social visions of spatial perspective, life, and memory. Graduates of the prestigious National Academy of Fine Arts, Cuba, each creates a singular aethestic vision predicated on his interpretation of fine art. As contemporaries in the emerging art world in Havana, the two painters bring a viewpoint that both embraces and transcends Cuban culture.
Jose Manuel Mesias, The Room Before Heaven, 2010,
acrylic, tempera, pastel, pencil, marker on canvas, 205 x 144 cm.
Jose Manuel Mesias utilizes his environment as a source of both concept and material. His work is deeply rooted in history and the cultural evolution of Cuba. Mesias deconstructs moments in history and recontextualizes these events to reflect contemporary occurrences: “Silent and mysterious large-format paintings, expressionistic portraits, and small creations—with rich textures and a certain poetic and spontaneous air—are the main tracks of my creativity. My work exudes the beauty and deterioration of the urban setting, as it transmits the anxiety and marvel that the world, in equal parts, provokes.”
Ernesto Garcia Sanchez approaches painting from a subtractive point of view. Sanchez’s abstract compositions are deconstructed through the cutting of canvas. The fine, grid-like surface invites the viewer to regard conceptual interplay between the color field and physical negative space.
Ernesto Garcia Sanchez, Untitled
(Paintings That Are Born Dead Series)
2013, acrylic on cut canvas, 78 x 32 in.
Sanchez says of his work: “When I think about painting, the idea of the essential immediately comes to me: the relationship between elements of the pictorial medium—with synthesis, with pigmentation in its simplest form. Pictorial elements comprise the greatness of formal simplicity, but, at the same time, they have philosophical connotations. Is not the act of painting a celebration of the present, an affirmation of being alive? May it not also be a way to rediscover the world? Throughout my career, I have been interested in investigating pictorial phenomena not only as simple media, but also as subjects and concepts. I work to explore elements that revolve around the world of the picture, and what the term 'painting' is given to mean. Among a variety of topics, I am interested in the plane—the way in which we normally consume a painting, the expansive nature of the pigment, and the way it moves within and out of its frame.”
About Mindy Solomon Gallery
The mission of the Mindy Solomon Gallery is to present the highest caliber works from emerging and mid-career artists in a broad spectrum of media. With a focus on context and the interconnectedness of material, Mindy Solomon and her staff approach the client/artist relationship with an interest in education and visual empowerment. The gallery also exhibits some of the most prestigious contemporary Korean artists on the world market today. With an interest in client education, such as a collectors’ tour to South Korea and regular artists’ talks and VIP events, the gallery and its programs endeavor to showcase a unique, bold view of the international art world. Deeply interested in the intersection of art and design, Ms. Solomon and her team collaborate with designers, advisors, consultants, and curators to inform and integrate fine works of art as part of a greater aesthetic. One of only six galleries in Florida to be included in 'Top 500 Galleries Worldwide' in the Louise Blouin Media Modern Painters 2013 Annual Guide, Mindy Solomon Gallery participates in many prestigious art fairs, including Art Miami during Basel's Art Week Miami Beach, Zona Maco Contemporary Art Fair in Mexico City, VOLTA NY, and Shanghai Contemporary. Visit the Mindy Solomon Gallery Website.