Calendar

Oct 18 @ 7:00 pm – 9:30 pm
Forever Celia at The Cuban @ The Cuban - American Museum of the Cuban Diaspora
7:00 pm
October 18, 2018 – March 31, 2019: Forever Celia. Curated by Omer Pardillo-Cid, her former manager, and current president of the Celia Cruz Foundation. Opening Reception on Thursday, October 18, 7 pm. Admission $12.
Yousuf Karsh: American Portraits Opening Reception at the Lowe @ Lowe Art Museum  | Coral Gables | Florida | United States
7:00 pm
In an introduction to the Lowe’s newest exhibition American Portraits, work from the National Gallery featuring distinguished influential artists and people in stunning visual artistic photography will be displayed. Displayed will be images of artist[...]
Close the Blinds. It Only Hurts When I Bend at Mindy Solomon @ Mindy Solomon Gallery | Miami | Florida | United States
6:00 pm
October 20 – November 24: Opening Reception of two exhibitions at Mindy Solomon Gallery: Close the Blinds with Danny Ferrell, Hiba Schahbaz, and Sophia Narrett. Alongside Virginia Leonard: It Only Hurts When I Bend.  Embracing an aesthetic stimulated by love,[...]
It Only Hurt When I Bend & Close the Blinds at Mindy Solomon @ Mindy Solomon Gallery | Miami | Florida | United States
6:00 pm
October 20 – November 24:  Virginia Leonard: It Only Hurts When I Bend. Alongside Close the Blinds: Danny Ferrell, Hiba Schahbaz, and Sophia Narrett. Embracing an aesthetic stimulated by love, intimacy, and sensuality, each artist combines[...]
Oct 20 @ 6:00 pm – 9:00 pm
Roberta Caviglia: Playful Geometry @ Duo Art Gallery | Miami | Florida | United States
6:00 pm
Opening Reception: Saturday, October 20, 6 – 9 pm in Little Havana. Brazilian artist Roberta Caviglia: Playful Geometry. Curated by Adriana Herrera, Co-founder Aluna Art Foundation. Caviglia connects her recent geometric work to the need of organizing[...]
Larry Bell and Manuel Solano Opening Night at ICA @ ICA Miami  | Miami | Florida | United States
6:00 pm
Join the ICA for the opening of Lary Bell’s “Time Machines” (an exploration of immersive large-scale color-glass installations) and Manuel Solano’s “I Don’t Wanna Wait for Our Lives to Be Over” (an exploration of identity[...]

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