MIFA | Eduardo Orozco: Structure and Color. Opening Reception

Room C

Structure and Color

by

Eduardo Orozco

Curated by: Ninoska Huerta
This exhibition explores the dynamic relationship between geometric form and vibrant color. Eduardo Orozco’s precise compositions invite viewers into a visual meditation on space, balance, and perception.
At the heart of this exhibition lies the square—not simply as a geometric form, but as a method. For Orozco, the square becomes an organizing matrix: a module, a structure, and an active principle for chromatic inquiry, compositional exploration, and perceptual experimentation. Much like a musical composer working with scales and rhythms, he develops sequences, minimal shifts, and modular variations that give rise to works both serene and vibrant.
“Within their apparent simplicity,” notes curator Ninoska Huerta, “these paintings reveal a complex network of balance, tension, and subtle interplay. They invite us to pause, to look longer, and to discover how meaning resides in variation.”
Orozco’s practice is one of the most rigorous and sustained investigations within Latin American geometric abstraction. Since his early career, he has conceived painting as a space for visual thought—grounded not in narrative or emotion, but in the logic of relations: color, proportion, rhythm, and spatial tension. Across different series, he has explored color as both an optical and constructive phenomenon, consistently maintaining an economy of resources that amplifies the perceptual intensity of each work.
Far from replicating established models, Orozco has forged a singular path within the European and Latin American geometric traditions. His art resists spectacle and excess, offering instead a sustained intellectual and sensorial experience. In Structure and Color, harmony emerges from discipline, beauty is revealed through precision, and the square unfolds as a field of endless inquiry.